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The answers were varied and passionate: his vibe, his versatility, his honesty.
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I began by asking, “What do you love about Wizkid?” but after one too many smart replies of “his music,” I amended the question to “What do you love about Wizkid’s music?” Having failed to secure an interview with the artist, I decided to interview his fans, who arrived in their thousands, most of them Nigerian-American women in their 20s or early 30s, over the moon about what was about to unfold. As the crowd gathered in Prospect Park, Wizkid was riding an unprecedented tsunami of global African music popularity that rises under the banner of Afrobeats, and shows no sign of slowing. He was growing up in a poor neighborhood, which he would later immortalize in his 2015 song “Ojuelegba.” With single minded focus, Starboy, as he was sometimes known, came up fast in a burgeoning Nigerian music and film industry that was in its infancy in the early 2000s.
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And yet each is a reminder of how just how much the world has changed in these 20 years.Īyodeji Ibrahim Balogun, AKA Wizkid, was 11 years old in Lagos on 911. How do these things relate? At first blush, they don’t. Twenty years later, we returned to Brooklyn after over a year of Covid-based exile to see arguably the biggest star in today’s African music make his debut solo concert in New York at what has to have been a hugely successful benefit for Celebrate Brooklyn and BRIC Arts. 11, 2001, Sean Barlow and I stood on a Brooklyn rooftop and stared slack-jawed across the Hudson, knowing that our world and lives were being forever changed, right before our eyes.